ZeroPoint mk, independent film and commercial production in Los Angeles

ZeroPoint mk

Independent film and commercial production in Los Angeles. Founded by Kenan Baysal and Mehmet Gungoren.

The Middle. Feature. Written and directed by Sylvia Ray. In a high desert town, Joanna is caught between what her family wants, what her friends expect and what it will take to save herself.
I Dream of Whirling. Feature, psychological thriller. Written and directed by Busra Coduroglu. A Turkish-American dance teacher in Brooklyn takes it on herself to end her mother’s abusive marriage, while a knot in her own neck grows into something she can’t ignore.
Silas. Feature, action comedy. Written by Jon Molerio, Ernesto M. Sandoval and Murad Unal. In Mexico City, a cartel boss’s girlfriend is secretly the masked assassin taking his empire apart, until a hopeless romantic flirts with her at a nightclub and gets mistaken for her.
Goat Mountain. Feature. Based on the novel by David Vann. On a 1978 hunting trip in the Northern California mountains, an 11-year-old boy kills a man, and over three days the four men with him come apart over what happens next.

Films

Sweet Thing, directed by Alexandre Rockwell, 2020. Caught between an alcoholic father and a neglectful mother, teenage Billie and her little brother Nico run off for one wild summer, looking for something that feels like home.
Black Night, directed by Özcan Alper, 2022. The burden of a hidden crime brings a lonely musician into a deadly conflict with the people of his town.
Level Up, directed by Gabrielle Roberts, 2025. When a rival steals their pitch at a game studio’s internal competition, two overlooked women and a new hire plan their revolt from the one room that’s theirs: the women’s restroom.
Home, directed by Alexandre Rockwell, 2016. A traditional Armenian song saves two wounded men, who meet on a bridge during a long night.
A Mutual Understanding, directed by Abigail Prade, 2021. A Vietnamese woman enters a marriage of convenience with a disabled American war veteran and struggles to balance her new life with her personal desires.
The Ball Method, directed by Dagmawi Abebe, 2020. In 1915 Hawaii, 23-year-old chemist Alice Ball pushes past racism, sexism and the clock to find a treatment for leprosy before a 10-year-old patient is exiled to Molokai.
Woodpecker, directed by Tanju Özdemir, 2025. On the day he applies for asylum, a young gay Kurd from Turkey learns that the new life America promised comes with the old one already waiting for him in the Turkish diaspora.
Intentions, directed by Tanju Özdemir, 2022. Three Turkish couples, one of them settled in the U.S., sit down to dinner, and a polite talk about hospitality turns into a reckoning with racism, from Syrian refugees to Afro-Turks.
To Go to the Moon, directed by Gabrielle Roberts, 2022. Young programmer Margaret Hamilton saves the Apollo 8 mission from the one error NASA swore would never happen.
Redbird, directed by Dagmawi Abebe. A young Black rodeo rider in small-town Oklahoma has to choose between the life he has and the dream of riding full time.
Dig, directed by Jono Seneff, 2020. When a neighbor’s horse goes missing in their small Appalachian valley, Caleb must cover for his autistic brother Russell.
Midsummer, directed by Bash Achkar, 2019. Caught with his boyfriend in public, a closeted 16-year-old in a small conservative town has two days to grow up and plan his escape to the city.
The Devil’s Son, directed by Ernesto M. Sandoval, 2019. In 1950s Mexico, Pedro, a hard-working farmer under an unjust curse, must decide whether to join the Devil to save the woman he loves from her abusive husband.
God’s Gracie, directed by Chateau Bezerra, 2018. Thirteen-year-old Gracie sets out to save the soul of Heidi, an agnostic lesbian driving home from her mother’s funeral, and finds her old methods don’t work here.
Shall No One Hold My Hand!, directed by Cenk Ertürk, 2018. In the line at a rest stop outside Istanbul, Emre won’t let a young mother cut ahead to buy milk for her daughter, and a small standoff cracks wide open once his father steps in.
Broken Pines, directed by Ann Marie Pace, 2017. Stuck on a camping trip while their parents’ marriage falls apart, sisters Molly and Cadence drift away from each other until there’s nowhere left to hide.

Commercials

Rimac, Nevera R, Faster Than Gravity
Adidas, Leeds United
Sony, Event Horizon
Primer, First Principles
Primer, The Orator

contact@zeropointmk.com